Our outstanding faculty teach dancers at every level to think creatively, to see critically, and to utilize the skills developed with classical training as a framework for excellence in all of their pursuits. The heart of Metropolitan Ballet Academy is its knowledgeable, energetic, and dedicated faculty. Each member of this remarkable team brings to Metropolitan the professional expertise acquired only through a career in the professional dance world. Our accomplished faculty brings their love of dance and teaching to the studio, generously sharing their understanding and appreciation of the art form and classical technique as they strive to challenge and inspire our students at every level.

met_faculty_hedshot_broullonCaroline Broullon

Caroline Broullon began her training in Doylestown, PA at Budzynski Studios. She continued her studies at North Carolina School of the Arts, City Ballet School in San Francisco, both the pre-professional year program and Summer Session, Steps on Broadway – Summer Session, and the Centre De Dance Choreart in Brussels, Belgium. Ms. Broullon performs with Dance Theatre of PA in both soloist and principal roles. She has also performed with Philadelphia Civic Ballet and Choreart. Ms. Broullon has been a member of the MBA faculty since 1997.

met_faculty_hedshot_blenheimJanet Blenheim

As a former professional dancer, Japan Fulbright Scholar, winner of the 2015 Upper Dublin Outstanding Educator Medal, and recently retired Upper Dublin K-5 Math Department Head, Janet Blenheim (Kinetic Literacy Program/ M3 = Math x Music x Movement©) is passionate about the beauty of mathematics and the rigor of dance. Ms. Blenheim is a founding member and former president of MBC’s Board of Directors and currently a lead teacher in MBC’s Kinetic Literacy Program bringing her M3 program to elementary students in The School District of Philadelphia.

met_faculty_hedshot_carrKate Carr

Kate Carr, an MBA faculty member since 2013, has been a dance professional for 12 years working as a performer and an educator of dance history, ballet and modern technique. Ms. Carr began her dance training in Pottstown, PA with Phyllis Dersh Rudzitis and continued her studies at the University of the Arts, where she graduated with a B.F.A. in Modern Dance Performance. Upon graduation, Ms. Carr studied at the Martha Graham School of Contemporary Dance in New York, NY and began working with Sebastienne Mundheim/White Box Theatre, an interdisciplinary performance company which combines dance, puppetry, and storytelling for children and adults. She has performed with White Box Theatre in Philadelphia’s Live Arts Festival, Crane Arts, University of Pennsylvania’s Arthur Ross Gallery and Stonington Opera House in Stonington, ME. Ms. Carr is also a teaching artist with Ballet X’s Dance Exchange.

met_faculty_hedshot_dangeloDenise Somrack D’Angelo

Denise Somrack D’Angelo (MBA Faculty/ Choreographer) began her ballet training in Cleveland, Ohio at age 3 and studied with Janice and Raymond Smith from age 11 through 17 at The Willoughby School of Fine Arts (Fine Arts Association).  At age 17 she was awarded a full scholarship to study at the School of the Pennsylvania Ballet under the direction of Lupe Serrano.  In 1982 she joined the Pennsylvania Ballet with Barbara Weisberger and Benjamin Harkarvy as directors, and became a soloist in 1987 under the direction of Robert Weiss.  Ms. D’Angelo danced many soloist and principal roles in the classical and Balanchine repertoire such as Snow Queen and Dew Drop in The Nutcracker, Myrta in Giselle, Prayer in Coppelia as well as principal roles in Who Cares, Western Symphony and Rubies.  Additionally, she worked with many noted choreographers including Robert Weiss, Peter Martins, Richard Tanner, Benjamin Harkarvy, Lynn Taylor-Corbett, and Jean-Pierre Bonnefoux. She retired in 1988.  

 A member of Metropolitan Ballet Academy’s faculty since 1997, Ms. D’Angelo has choreographed several works for the company, including Divertimento in F major, K. 138 (2012), Holberg Suite (2013) and Waltz of the Flowers fromThe Nutcracker (2013). Ms. D’Angelo was co-choreographer for MBC’s highly successful world premiere production of Cinderella (2010) and her work Evening Song was selected for performance at the Regional Dance America Festival (2010).

Etienne Diaz

Etienne Diaz was born in Havana, Cuba. He began his training in the Orlando Ballet School under the direction of Peter Stark. Mr. Diaz has performed as a guest artist with many regional ballet schools. In 2010, he joined the National Opera of Bucharest, performing in a variety of roles including Russian and Doll in The Nutcracker and Mercutio in Romeo & Juliet. In 2012, he was invited as guest artist with Balletto del Sud and toured throughout Italy, performing in several roles, including The Blue Bird pas de deux from The Sleeping Beauty. From 2012-2014, Mr. Diaz danced with Milwaukee Ballet. He joined Pennsylvania Ballet as a member of the Corps de Ballet for the 2014-2015 Season and has since danced principal roles in George Balanchine’s The Prodigal Son, and roles in Christopher Wheeldon’s Swan Lake, Jerome Robbins’ The Concert, and Alexei Ratmansky’s Jeu de Cartes.  Mr. Diaz has been a guest instructor for MBA’s Summer Intensive Program since 2015, and joined MBA’s year round faculty in 2016.

met_faculty_hedshot_gronostaysklyDenis Gronostayskiy

Denis Gronostayskiy is a graduate of the world-renowned Bolshoi Ballet Academy in Moscow Russia and acclaimed as Artist of Distinction in the United States. Gronostayskiy was Principal Artist with the Moscow Renaissance Ballet in Russia, Philadelphia Ballet Theatre, the Richmond Ballet, VA, and International Ballet Classique. Denis has performed principal roles in Swan Lake, Don Quixote, Coppelia, Nutcracker, Giselle, Romeo and Juliet, Sleeping Beauty, and many more, as well as Balanchine productions and modern and contemporary works of choreographers such a Kirk Peterson, J. Butler, Malcolm Burn, V. Nebrada, C. Connor and others.

He co-founded the Academy of International Ballet for the training of young, aspiring dance artists. Beginning students, adults, and those seeking professional training benefit under the expertise and nurturing environment provided in his classrooms. His students have gone on to receive scholarships at dance colleges and win national awards. Under Gronostayskiy’s artistic direction, International Ballet Classique has presented a number of full length ballets, including Coppelia, Nutcracker, Giselle, Walpurgis Night, Swan Lake Act II, Paquita and numerous mixed repertory performances throughout the Delaware Valley and on tour. Mr. Gronostayskiy joined the MBA faculty in 2010 and leads classes in MBA’s Pre-professional Division and the Boys’ Scholarship Program. He was named Co-Principal of the School of the Pennsylvania Ballet in September 2016.

met_faculty_hedshot_mettinSarah Mettin

Sarah Mettin (MBA Faculty/ Choreographer) is an alumna of Metropolitan Ballet Company, and graduated cum laude from SUNY Purchase Dance Conservatory in 2011, with additional studies in Rotterdam, Netherlands at Codarts (Rotterdamse Dans Academie).  She has had the opportunity to perform in works by many choreographers including Twyla Tharp, Bill T. Jones, Merce Cunningham, Jose Limon, Kate Weare, Takehiro Ueyama, Kanji Segawa, Jessica Lang, Jonathan Royse Windham, and Arantxa Sagardoy.

Ms. Mettin created her first work, Talk of Interference, in the Netherlands in 2009 and in 2011 founded her company,  Mettin Movement. Mettin Movement was proud to appear at Jacob’s Pillow Dance Inside /Out (July 2015). Ms. Mettin choreographed a work on dance artist Samantha Figgins (Alvin Ailey), and in 2013, was invited to return to her alma mater to set a senior repertory solo– a very meaningful recognition of her choreographic abilities by the professors at SUNY Purchase College.  The solo was awarded the Dean’s Choice, and won her the invitation to set a full-length work on Purchase Dance Company for the 2014-2015 season.

Ms. Mettin has created eight original works for MBC.  Her first work for MBC, Free Standing (2011), won the Regional Dance America Festival Monticello Award, a full scholarship to study under Janis Brenner (The Juilliard School) at the National Choreography Conference. Her other works for MBC  include Deep Down Basic Whatever There Is (2017), A Winged Victory (2016), Two Wills (2015), Coalesce (2015), Fractals (2014), Fieldwork (2013), and Fend (2012).  Her solo, Time Passing, created for MBC Boys’ Scholarship student, Daniel Shevelev was selected for the 2014 Youth America Grand Prix Outstanding Choreography Award in Philadelphia.  Ms. Mettin joined the faculty of Metropolitan Ballet Academy in 2013 and has also served as Ballet Mistress , assisting with the staging of works by both Kanji Segawa (Alvin Ailey) and Tommie-Waheed Evans (Philadanco). She is currently pursuing an MS in Arts Management from Drexel.

Alyson Pray

Alyson Pray began dancing in Cherry Hill, NJ at the Bowman School of Dance and continued her training at the Rock School of the Pennsylvania Ballet. In 1996, Ms. Pray received a scholarship to attend the Kirov Academy in Washington, D.C. where she worked with Ludmila Morkovina and had the opportunity to tour with the Kirov Ballet. She finished her training at the Pennsylvania Academy of Ballet in Narberth, PA under the direction of John White and Margarita de Saa. Ms. Pray also participated in summer programs at the Central Pennsylvania Youth Ballet and Boston Ballet and in 1999, became a member of the Sarasota Ballet of Florida and was promoted to Soloist in 2001. There her roles included Odette in “Swan Lake,” Sugar Plum Fairy in the “Nutcracker,” and Queen of the Dryads in “Don Quixote.” In 2004, she joined the Pennsylvania Ballet where she performed several Balanchine ballets including “Theme and Variations,” “Concerto Barocco,” “Western Symphony,” and “Serenade.” In addition to Twyla Tharp’s “Push Comes to Shove”, Jerome Robbins’ “The Concert” and Paul Taylor’s “Company B.” Ms. Pray was a guest artist with the Royal Ballet, Washington Ballet, Tulsa Ballet and Ballet Fleming and continues to perform locally from time to time. She has been teaching ballet for fourteen years, is a certified Barre instructor and holds a Bachelor of Science degree in Alternative Medicine. Ms. Pray joined the MBA faculty in 2016.

Sergey Pupyrev

Sergey Pupyrev trained at the Perm Ballet Academy in Moscow, Russia. He is a former Principal Dancer with both the Bolshoi Ballet Studio Grigorovich in Moscow (1987-1994) and the Russian State Ballet in Moscow (1994 -2003). His principal roles included Coppelia, Don Quixote, Giselle, La Sylphide, Swan Lake, La Bayadere, among others. Mr. Pupyrev joined the MBA faculty in 2014 and leads classes in MBA’s Pre-professional Division and the Boys’ Scholarship Program.


Yaryna Tomalishchak

Yaryna Tomalishchak joined the MBA faculty in 2016 and leads MBA’s Stretch Class program for classical dancers.  Yelena has trained and competed in the sport of Rhythmic Gymnastics for over 14 years, beginning at the age of 3 in Ukraine and continuing her training in the United States from the age of 7  through high school.   A third place all around winner in the Junior Olympics, Yaryna has worked with many notable trainers and travelled to elite training camps and competitions across the United States as well as in Bulgaria, Romania, Poland, and Ukraine. Yaryna is also on staff as a coach at Philadelphia Rhythmic Academy and attends Temple University.

Natalya Lushina Zeiger

Natalya Lushina Zeiger is a graduate of the Moscow Academy of the Bolshoi Theater and a former soloist with the prestigious Bolshoi Ballet Company. As a member of the Bolshoi, Ms. Zeiger worked with such European masters as Roland Petit, Maurice Bejart, Alberto Alonso and Yuri Grigorovitch. Her many leading roles include Swan Lake, Sleeping Beauty, Giselle, Romeo and Juliet, Raymonda, and La Bayadere. Ms. Zeiger has been a member of the MBA faculty since 2001, serving as teacher, repetiteur and coach. She has staged many productions for Metropolitan Ballet, including Paquita, Swan Lake, Act II, Swan Lake, Act III, Les Sylphides, The Sleeping Beauty, Act 3, Le Jardin Animé, Suite from Don Quixote and The Children’s Mazurka from Paquita, as well as many classical pas de deux.

Ms. Zeiger also holds a Master’s Degree in Dance Education from the Bolshoi Ballet Academy. She often serves as a juror and instructor for Youth America Grand Prix, and is a highly sought after guest teacher, leading master classes throughout the United States and abroad.

Andrew Pap

Andrew Pap (Faculty Emeritus) has been involved in every aspect of dance, as a dancer, teacher, choreographer and company director. For 14 years he was a soloist with the Romanian State Ballet. After leaving Romania he performed and taught in Switzerland and Italy. In 1970, Mr. Pap came to the United States and after teaching for a year in New York, moved to Philadelphia. Currently he is a professor and chairman of the Ballet department at the University of the Arts in Philadelphia. Mr. Pap’s teaching experience is extensive and includes Harlem School of the Arts, Saratoga Ballet Center, Pennsylvania Ballet, and Alvin Ailey School, where he was the recipient of the National Endowment for the Arts award as artist in residence. From 1985 to 1995 Mr. Pap held the title of artistic director for the Voloshky Ukrainian Dance Ensemble, where he was the recipient of awards from both the National Endowment for the Arts and the Pennsylvania Council for the Arts. He has choreographed for Pennsylvania Ballet, NBC-TV, Philadelphia Opera Co., Philadelphia Orchestra, University of the Arts, Voloshky Ukrainian Dance Ensemble, Mantua Opera Co. of Italy, Walnut Street Theatre Co. and the Arden Theater Co.

Mr. Pap served on the faculty at Metropolitan Ballet Academy from 1997 up until his retirement in 2011. MBC is proud to include his beautiful ballet Marcello as part of our repertoire.